Veni Vidi Valiant — or — I Came, I skillsaw, I Conquered

If you’ve hung around these parts long enough, you’ve likely noticed an immensely prolific mapper’s conspicuous absence. Somehow I’ve made it ten years writing about Doom WADs and literally never mentioned him a single time? How could this be?! Well, don’t fret, old friend; even I know that there’s a special place in Hell for a WAD reviewer who ignores our most decorated mapper, Paul “skillsaw” DeBruyne. But I have to admit up front that part of the reason I’ve not yet written about any of skillsaw’s WADs is because I’m not exactly sure what I think of them. I’ve

The Montiverse

You knew this was coming. How could I ever, ever end this column without taking a look at what Nicolás Monti has been up to lately? Some time in 2018 was the point where I started paying a lot less attention to Doom WAD releases. That was coincidentally around the same time Monti was taking a break from Doom. Even still, in the time since my review of Mano Laikas: A road to Gamzatti in 2017, our benevolent mapmaker has graced us with no less than ten new WADs. I’ve caught up on most of those and now I have

Auger;Zenith

I only learned of the Doomer Boards Project series shortly before the release of DBP26: La Cité des Enfants Damnés, The City of Damned Children. DBP26 came out around this time last year, and already we’re on to DBP38. I can’t fathom how they do it, but the virtuosos over on the Doomer Boards crank out one of these things every month — honestly deflating my ego a fair bit over the release schedule of my own UnSeries. A megaWAD made in just a month? Cool, cool; now do twelve of those every year. In any case, the Doomer Boards